Review:
Bawdy, fabulous Midler had Lawlor crowd on its feet
Lenita Powers
RENO GAZETTE-JOURNAL
2/21/2004 01:42 pm
Photo: Baltoboy Steve
From the time she glided down
onto the stage perched on the back of a white carousel horse to
the two encore songs she gave as a parting gift to an appreciative
Reno crowd, Bette Midler worked her magic.
Hitting the road for the first
time in four years, Midler brought her Kiss My Brass tour to town
for its 30th performance Friday at the Lawlor Events Center.
And Midler was indeed brassy
yet charming, bouncing across the stage in an opening “Kiss My Brass/Big
Noise from Winnetka” medley in a Shirley-Temple curls wig that,
unfortunately, appeared to be molting. (Note to wardrobe: The Divine
Miss M deserves a decent hairpiece.)
The production features a Coney
Island set at the turn of the century, and Midler strode across
the stage in form-fitting nautical pantsuit, declaring, “I have
returned! How are you Reno? I’m fabulous. Don’t I look it?”
And she did. At 58, Midler
is in fighting trim, and she wore a series of costumes that showed
off a trim waist and great legs.
“I am not retiring,” she told
the crowd almost defiantly, “and you can’t make me.”
Tailoring the show to the Biggest
Little City, she mentioned the film “Jinxed,” she made in Reno with
comedian Rip Torn. And in one of many digs at President Bush, which
were not at all popular with some members of the audience, Midler
poked fun of the Chief Executive’s pronunciation of Nuh-vah-duh.
“Ah, Reno, Nuh-vaa-duh,” she
said. “Did I say it right? I don’t want to be on George’s Bush’s
side on anything.”
Much of Midler’s humor is bawdy
and can’t be repeated here, but her vaudevillian shtick and wicked
one-liners aside, Midler’s talent as a comedian took a backseat
to her way with a song with Friday’s crowd.
Kiss My Brass features a band
with a brass section of one trombone, two trumpets and two saxophones,
which occasionally drowned out the star. But Midler held her own,
using her considerable voice that shined best during such ballads
as “Skylark” and “Hey There.” She struggled with “When a Man Wants
a Woman.” That could be partly due to coming up from her last performance
in San Diego. Early in the show, she mentioned Reno’s dry air and
high altitude, which has leveled many another performers’ pipes
and lungs.
It didn’t stop the indomitable
performer from belting out that World War II favorite, “Boogie Woogie
Bugle Boy” with a verve that would have made Pattie, Maxine and
Laverne proud. The crowd loved it even more with a film clip that
superimposed the live on-stage Bette with two versions of her younger
self on either side singing the same song.
An undisputed diva, Midler
proved she can take a joke when she’s the brunt. The show spoofed
her ill-fated television show, “Bette,” and in a resurrected rendition
of her 1970s Clam on the Half-Shell Review, she appeared again as
a mermaid, but this time whipping about in a wheelchair.
Throughout the show, she was
accompanied by the Harlettes, her trio of backup singers/dancers.
The wide-ranging show covered
a lot of entertainment territory — a duet with Mr. Rogers of the
Neighborhood fame, a film clip of Judge Judy and a tribute to Rosemary
Clooney.
One purpose of the tour is
to promote Midler’s new CD “Bette Midler Sings the Rosemary Clooney
Songbook.” As Midler sang while photos of the late Clooney were
shown on a screen, you couldn’t help but be struck by how truly
beautiful Clooney was in her youth. It speaks of a time when singers
such as Clooney were proof that women could be glamorous, classy
and very sexual while keeping all their clothes on.
And, yes, Midler, too, for
all her bawdiness. Stunning and sophisticated in what was supposed
to be one of her final numbers, she sang “Wind Beneath My Wings,”
bringing the audience to their feet. They remained until she told
them to please sit down, and launched into “The Rose,” prompting
another standing ovation. So, winded and exhausted, Midler gave
one more parting shot — “You Gotta Have Friends.”
It makes one wonder if Britney
Spears and her ilk will have the legs, the body, the talent or the
class to still do it when they’re staring 60 in the face.
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