St. Louis, MO
Savvis Center
December 15, 2003

St Louis Dispatch
Midler wows 'em with jokes, songs
By KEVIN C. JOHNSON
Published: Wednesday, Dec. 17 2003

Freaks of nature and death-defying acts were among the things funny lady Bette Midler promised her crowd in concert at Savvis Center Monday night, along with warnings of "(stuff) flying down from the rafters."

"I'm just trying not to die," Midler said, referring to all the things she suggested would be soaring onto and around the stage during the course of the evening. Actually, the only things flying, and at a reckless pace, were her quips.

(Photo: Laura Farr)

In classic, campy Midler fashion, the actress-singer rode out onstage straddling a carousel house onto a set decorated with an old Atlantic City amusement-park theme. "I have returned," the sassy singer said after jazzy opening number, "Kiss My Brass," also the name of the tour. "I can't believe so many of you came out of your spider holes to visit me."

Over the course of nearly 2 1/2 hours (including an intermission), Midler and her vaudeville-like revue effectively rode the line between hilarious potty-mouthed hijinks of questionable taste and sweet sentimentality and sap, offering both as only she can.

Midler's song choices often relied on the expected, which was fine, including "Wind Beneath My Wings" and "Boogie Woogie Bugle Boy," performed with vintage video of herself. She performed several cuts from "The Rose": the title track, "When a Man Loves a Woman" and "Keep On Rockin," which let Midler show off her brass section, which included members from Royal Crown Revue.

A too-short though respectful tribute to the late Rosemary Clooney featured "Come On-A My House" and "Tenderly," featured on the Grammy-nominated "Bette Midler Sings the Songs of Rosemary Clooney." A third, "White Christmas," closed the concert. Midler also dusted off "Skylark," a tender ballad from her own second album.

She honored another entertainer, vaudeville performer Sophie Tucker, in costume, with a shrill stream of lewd jokes that were admittedly bad. And Delores Delago, Midler's long-running mermaid character, embarked on a new adventure during an extended segment.

During a gentler portion of the show, Midler stressed the need for tolerance as she performed "I Like to Be Told," a duet with the late Fred Rogers of "Mister Rogers' Neighborhood" on video. Continuing along this theme, she sang a ballad written by a friend in response to the Sept. 11 terrorist attacks. The song made way for one of her biggest hits, the wonderfully schmaltz "From a Distance." Midler does have a way with a ballad.

Near the top of the show, she told the crowd, "I'm not retiring, and you can't make me." But by the end of the exhausting night, she'd jokingly changed her position. "I'm retiring. And you made me."


Bruce Vilanch,
writer, actor, all around good guy

St. Louis was beyond the beyond. The show is gorgeous, and Bette is in such good shape. She looks like Marilyn Monroe in "Bus Stop." And the material is working. Other than that, Mrs. Lincoln.....:)


Brian P.
BetteHead, All around nice guy

Due to an unfortunate illness by a friend, I went to the St. Louis concert last
night at the last minute. The show only changed a little from Chicago:

1. Bette is interjecting local humor early in the show. This should be different in every city she visits.

2. The calypso take on From A Distance must have been left in Chicago. She did it normally in St. Louis.

3. In Chicago, she asked the audience to sing with her on two songs. Not so in St. Louis. I really kinda missed another opportunity to sing White Christmas with Bette.

4. Some of the Sophie jokes have changed. Interestingly enough, she messed-up the same joke in the same manner - that may just be part of the act!

Another amazing performance. She just loves to entertain and it shows from beginning to end!


Spencer B.
BetteHead, singer, actor

Seeing Bette's show in St. Louis was incredible! She made references to St. Louis which really amazes me with how much she goes into detail about the city she performs in.

(Photo: Laura Farr)

Being a 19 yo Bette fan, and having seen Miss Millennium in '99, I wasn't expecting a young crowd. However, I was amazed at the end of the show when Bette returned for "Keep On Rockin'" and the whole audience remained on their feet for the entire number -clapping and rocking along! I called my best friends during "Wind Beneath My Wings" since they
couldn't go.

Don't take your checkbook when you go to buy merchandise: only cash & credit cards (and the ATM was such a hassle!). I bought the baby blue pajamas (top & bottom ... $60 each but so comfy I'm wearing them as I type this), the tour baseball shirt ($50), the mug ($20?), the handkerchief with the words to "Kiss My Brass" on it ($15), and the program ($20).

Needless to say, after observing the camera men, I can only hope that this show will be aired on HBO in February at MGM Grand again for Valentine's Day or that it may be released on DVD/VHS someday soon. It was definitely a spectacle to see.

During Sophie Tucker, Bette told the infamous "Two Dozen Roses" joke
and when she came to the punchline, she put the microphone towards the audience at which they all shouted "Ain't you gotta vase?!".

The songs were brilliant and the video screens (ESPECIALLY "Boogie
Woogie Bugle Boy") floored me - how they had everything so insync with Bette & The Harlettes amazed me. The Royal Crown Revue was perfect for Bette and she looked more at ease on the stage than she had been when she did "Miss Millennium". Her costumes were far more elegant for her and they made her look so much younger than "Miss Millennium", which kinda fell back
with the mature/sequin middle-age woman look.

Bette showed off legs in this show including her "Rose"-costume dress and brown knee-high boots. And not only that, but Bette's performance of "When a Man Loves a Woman" brought the house down. Her voice was so pure and full of emotion that I fell in love all over again.

I was a little upset to see her not do "Mambo Italiano" at all but her opening song of "Kiss My Brass" (when the band is shouting HEY! Bette Midler! and she stops to say "I heard ya the first time!") was a classic beginning and it blended it perfectly with "Big Noise from Winnetka". Her sailor outfit was so gorgeous. All years aside, Bette looked and acted as if she were back in the seventies in her mid twenties. Unless you were a die-hard fan, you
would not have guessed Bette was over forty!

If I can, I'm planning on going again.