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Tag Archives: Goldie Hawn
Tuesday, February 5, 2019
Marcia Gay Harden Really Was Hit With A Bat By Diane Keaton In ‘First Wives Club’
By JAMIE SAMHAN
1 Feb 2019
Marcia Gay Harden revealed that things don’t always go as planned when filming, like the time Diane Keaton hit her with a foam bat in “First Wives Club.”
In an episode of “Couch Surfing,” the “Code Black” actress said the Keaton was “supposed to just kind of fake hit me in the head.”
“She really hit me,” adding, “I don’t think I was supposed to take [the bat] away from her, and I did.”
Harden doesn’t blame Keaton for fully going at her saying she was “in awe” of her. ...
Tuesday, August 7, 2018
People First Wives Club TV Reboot Casts Jill Scott and Michelle Buteau TOMÁS MIER August 02, 2018 08:46 PM The First Wives Club TV reboot has tapped two of its stars. On Thursday, Paramount Network announced that Grammy winner Jill Scott and comedian Michelle Buteau have joined the 10-episode TV reboot of the cult classic First Wives Club. Scott, known for her role as Sheila in Tyler Perry’s Why Did I Get Married?, will play Hazel, a music superstar who has been silenced by her unfaithful husband and manager for years. Jill Scott Paramount Buteau, from Broad City and Key & Peele, is set to play Bree, a doctor and overwhelmed mom whose husband cheats on her. Michelle Buteau Mindy Tucker Tracy Oliver, the writer of comedy Girls Trip, is tasked with writing and executive producing the half-hour series alongside Karen Rosenfelt from the Twilightsaga and Scott Rudin, who produced the original movie. Oliver expressed her excitement for the two first cast members on Twitter. “SO excited to welcome these two crazy talented ladies, @missjillscott and @MichelleButeau, to the #FirstWivesClub!!!” she wrote. “We bout to have @paramountnet LIT in 2019!!!” “Thank you for believing,” Scott replied. The dramedy series, set to debut on Paramount Network in 2019, is based on the 1996 film of the same name, which featured Diane Keaton, Bette Midler and Goldie Hawn, and was a hit in the box office, raking $181,490,000 worldwide. The series will begin filming in New York City this fall.
Sunday, June 24, 2018
Elle The 10 Best Movie Gangs Who’ve Gotten (Back) Together BY R. ERIC THOMAS JUN 13, 2018
The crowds who flocked to theaters this past weekend to make Ocean’s 8 the number one movie in America probably left with two thoughts in mind: 1) Wow, Anne Hathaway is G.O.A.T., and we’re lucky to have her. No slander for our Oscar-winning queen; 2) Can’t wait til this gang gets back together. The Ocean’s films, of which the all-female iteration is both a sequel and a reboot, excel at one of the greatest tropes in all entertainment: the ragtag gang of old friends and newcomers who combine their skills for one so-crazy-it-just-might-work mission. Sometimes participants are lured in with the promise that this is “one last mission,” which—let’s be honest—it never is. Sometimes the draw is the promise of wealth; sometimes it’s a devil’s bargain as repayment for a past crime; sometimes it’s all in service of an old friend who could really use the specific skills of a disparate group who somehow found their way into each other’s lives. Sometimes is a highly mobile pair of pants. ...
Tuesday, June 12, 2018
Paramount Network picks up First Wives Club reboot as half-hour series – To Premiere On TV Next Year
meaww Paramount Network picks up First Wives Club reboot as half-hour series By Alakananda Bandyopadhyay · 19:51 PST, 3 Jun 2018 Paramount Network’s latest venture is in the form of a new comedy series, “First Wives Club” – 10 half-hour long episodes of which have been picked up from Paramount Television. The blockbuster hit film ‘Girls Trip’ writer, Tracy Oliver, is attached to write and serve as executive producer. Based on the favorite 1996 film from Paramount Pictures, which featured Diane Keaton, Bette Midler and Goldie Hawn, the half-hour series resembles the movie in its setting, which is New York City. The plot revolves around a group of women who band together after their marriages fall apart, and who find strength in their sisterhood – and of course a little revenge. The movie itself is from the 1992 book of the same name by Olivia Goldsmith. “Tracy Oliver is a brilliant writer and the perfect visionary to bring this unforgettable story from the big screen to the small screen in a fresh and contemporary way,” said Keith Cox, President, Development and Production, Paramount Network, TV Land and CMT. “‘Girls Trip’ was one of the funniest comedies in recent memory and we know Tracy will breathe new life, and some serious laughs, into these beloved ‘First Wives Club’ characters,” said Amy Powell, President of Paramount TV. Production for the series will begin in New York City this summer, and the series will debut on Paramount Network in 2019. A cast announcement is coming. Producer of super hit movies like the “Twilight” saga and “The Devil Wears Prada,” Karen Rosenfelt will be executive producer of the series, along with Oscar, Emmy, Grammy, and Tony award-winning producing legend, Scott Rudin, who had also created the original movie. Tony Hernandez of JAX Media will also serve as Executive Producer. Brad Gardner, Senior Vice President, Development and Original Programming, Paramount Network and TV Land, will serve as the executive in charge of production and will oversee the project for the network. Before moving to Paramount Network, the project had initially been in development at fellow Viacom network TV Land. Paramount Network was itself Spike TV before it got rebranded back in January. So far, the network has launched the limited series “Waco”, which stars Taylor Kitsch as the cult leader David Koresh. It was also set to premiere the Kevin Costner-led drama “Yellowstone” on June 20, and the Alicia Silverstone comedy “American Woman” on June 7. Apart from those, the TV Land series “Nobodies” is also aired on Paramount Network, including several other Spike TV originals like “Ink Master,” “Lip Sync Battle,” and “Bar Rescue” all still air on Paramount Network as well.
Friday, May 25, 2018
The Cinemaholic LISTS: 10 Best Bette Midler Movies and TV Shows By Team Cinemaholic 6 May 21, 2018 Bette Midler is an American songwriter, singer, comedian, film producer and actress. Following a career that revolved around several Off-Off-Broadway shows, she rose to prominence as a singer and has sold over 30 million records worldwide. Bette Midler boasts of a career that spans half a century and has won three Grammy Awards, four Golden Globes, three Emmy Awards and two Tony Awards. Here’s the list of top Bette Midler movies.
10. Outrageous Fortune (1987)Outrageous Fortune is about a man with two women in his life who disappears and they go out looking for him. Directed by Arthur Hiller, it also stars Shelley Long and Robert Prosky.
9. Down and out in Beverly Hills (1986)Down and Out in Beverly Hills is about a homeless man who tries to drown himself in the pool of a rich couple who save him and welcome him in their house. The film is directed by Paul Mazursky and also Nick Nolte and Little Richard.
8. For the Boys (1991)A US entertainer, with the help of a singer and dancer, tours to entertain the soldiers during World War II. For the Boys is directed by Mark Rydell and also casts James Caan and George Segal. 7. The First Wives Club (1996) Reunited due to the death of a friend, three women decide to revenge their husbands who dumped them for younger women. Directed by Hugh Wilson, The First Wives Club also stars Goldie Hawn and Maggie Smith.
6. Big Business (1988)Two sets of twins are born in a hospital on the same night to two different families and get mixed up due to a drunk nurse. Big Business is directed by Jim Abrahams and also stars Lily Tomlin and Fred Ward.
5. The Thorn (1971)The Thorn is a religious comic satire. It is directed by Peter McWilliams and also stars John Bassberger and John Greenberg.
4. Beaches (1998)The strong friendship between two people coming from very different backgrounds. Beaches is directed by Garry Marshall and also stars Barbara Hershey and John Heard.
3. Hocus Pocus (1993)Two teenagers, a young girl, and an immortal cat try to put an end to the terror of three witches, who have resurrected after 300 years. Hocus Pocus is directed by Kenny Ortega and also stars Sarah Jessica Parker and Kathy Najimy.
2. Ruthless People (1986)A businessman cheats and a couple and the couple takes the revenge by kidnappinghis wife, but they don’t know that he is happy they did so. Also starring Danny DeVito and Judge Reinhold, Ruthless People is directed by Jim Abrahams, David Zucker, and Jerry Zucker.
1. The Rose (1979)A female rock star, whose manager is ruthless and pressurizes her constantly, destructs her life with drugs and alcohol. Directed by Mark Rydell, The Rose also stars Alan Bates and Frederic Forrest.
Sunday, May 6, 2018
Wednesday, April 18, 2018
VIP Portal 17 COMEDIES THAT MAKE ABDUCTION FUN Admin 4/11/2018 A hostage situation is among the most traumatic experiences anyone can suffer through: your life in the hands of a stranger, who threatens to snuff it out for their own nefarious purposes or financial gain. But sometimes, Hollywood asks, isn’t abduction… kind of funny? Hey, maybe a kidnapping is just the sort of wild, unexpected detour you needed to really shake things up, help you learn important life lessons, and even fall in love—or so the movies have suggested over the years. The “hostage comedy” has fallen slightly out of favor since its apparent peak in 1994 (when no less than five films from this list were released) and somewhere after 1996’s bleakly funny, yet sobering Fargo finally reminded everyone that, don’tcha know, we’re talking about real people here. Still, the sub-genre is making something of a comeback in 2018, what with the Anna Faris-starring remake of Overboard hitting theaters in April, and FX’s Trust adding a dryly kooky flourish to the kidnapping of John Paul Getty III. Here are some of their predecessors that similarly found the hijinks in hijacking. 1. Cadillac Man (1990) Combining the basic premise of Dog Day Afternoon with the sexual charisma of the late Robin Williams, Cadillac Man finds Williams playing Joey O’Brien, a slick car salesman who’s just as adept at talking marks into the driver’s seat as he is women into bed. Juggling three separate mistresses, an ex-wife he owes alimony to, a teenage daughter who’s recently gone missing, some mobsters he owes even more money to, and the looming threat of losing his job if he doesn’t make his monthly sales quota, everything comes to a boiling point for Joey when Tim Robbins’ angry, AK-47-toting lunkhead Larry takes his dealership hostage, looking to ferret out who’s been sleeping with his wife. Like Dog Day Afternoon, all of the film’s action is mostly confined to one pressure cooker location. But here it’s all played with a screwy, saccharine jocularity as Williams schmoozes his way into Larry’s good graces, punctuated by Robbins sporadically shooting up the place whenever he feels threatened—that goofball! [Sean O’Neal] articles 2. Overboard (1987) Garry Marshall’s Overboard tends to get a pass because of its charming performances and the palpable chemistry between its leads—and real-life couple—Kurt Russell and Goldie Hawn. (Hawn, it must be said, also serves up some incredible ’80s loungewear.) Still, not only is the film dated and overly long, its entire, romantic premise is textbook gaslighting: After Hawn’s spoiled heiress falls off her yacht and develops a plot-advancing case of amnesia, Russell’s working-class carpenter kidnaps her, manipulating her not only into serving as a stay-at-home mom to his four, half-feral sons, but also into falling in love with him. Hawn learns a few lessons on humility and true happiness along the way, so this story of sexual slavery has a happy ending, at least. Still, it’s a cute, lighthearted spin on what is, unquestionably, abuse—something 2018’s gender-swapped remake tries to solve by having Anna Faris be the one to take Eugenio Derbez hostage. We’ll see if that earns it another pass. [Katie Rife] 3. Tie Me Up! Tie Me Down! (1989) Stockholm syndrome goes to Spain for Pedro Almodovar’s gonzo romantic comedy Tie Me Up! Tie Me Down! The plot is another example of a narrative that, in today’s parlance, would be labeled “problematic”: Ricky (Antonio Banderas) is a young man recently released from a psychiatric hospital who kidnaps former porn star Marina Osorio (Victoria Abril), then holds her hostage while he tries to convince her to fall in love with him. Somehow, his ploy works. After Ricky breaks into Marina’s apartment, head-butts, gags, and handcuffs her to the bed, Marina goes from saying she’ll never, ever love him to having passionate sex with him in a matter of days; the whole standoff ends with them happily starting a new life together. It’s a deeply uncomfortable premise that only works thanks to Almodovar’s antic sense of absurdity, an anything-goes tone that serves the outrageous material well—even a story that’s this incredibly dark on paper. [Alex McLevy] 4. The Ref (1994) Denis Leary spent the early ’90s foisting his (or Bill Hicks’) opinions on a captive audience of MTV teens. So naturally, his first movie roles played off that persona, often forcing other actors, like Demolition Man’s Sylvester Stallone or Judgment Night’s Jeremy Piven, to stand there and listen to him rant. The acrid Christmas comedy The Ref, from director Ted Demme—who helmed those MTV bumpers, as well as Leary’s No Cure For Cancer stand-up special—actually ties Kevin Spacey and Judy Davis down so they can’t escape the comic’s acerbic thoughts on their soulless yuppiedom. After Leary’s desperate burglar trusses up the unhappy couple, he soon becomes their de facto marriage counselor, interceding in their constant bickering while also helping Spacey find the confidence to finally lash out against the sterility of his upper-class suburban life, years before American Beauty. As a metaphor, breaking the ties that bind while you’re literally bound and gagged is about as blunt as they come, although The Ref is still nasty, if occasionally overbearing fun—kind of like Leary’s comedy. [Sean O’Neal] 5. Swimming With Sharks (1994) Released in a year when America simply couldn’t get enough of tying Kevin Spacey to chairs, Swimming With Sharks shares The Ref’s approach to hostage situations as therapy—this time allowing Frank Whaley’s put-upon personal assistant and aspiring screenwriter to confront some harsh truths about the movie business, all while he tortures Spacey’s tyrannical studio mogul. George Huang’s showbiz satire is essentially a stage play (it’s since been adapted to the theater), and it uses Spacey’s immobility largely as an excuse to unspool long, sour dialogues about the dark side of Hollywood while also exploring the roots of what makes Spacey such a horrible boss—years before Horrible Bosses, or before Spacey became part of that dark side for real. [Sean O’Neal] 6. Airheads (1994) A spoof of heavy metal/grunge culture and how it’s, like, dumb and stuff, 1994’s Airheads doesn’t really have a lot to say about the crass commercialization of rock music or the overall venality of showbiz, but it sure does say it loudly. Michael Lehmann’s 1994 comedy finds Brendan Fraser, Steve Buscemi, and a just-bubbling-under Adam Sandler as the members of struggling “power slop, with an edge” band, The Lone Rangers. Frustrated by their go-nowhere career, they take over an L.A. radio station using some particularly convincing water pistols, holding everyone hostage until they agree to play their demo tape. Unfortunately, the tape is quickly destroyed, the hostage crisis drags on, and inevitably, secrets come out—like how Michael McKean’s slimy station manager just cut a deal to switch to an easy-listening format, or that Fraser’s rock god is really a recovering D&D-playing, booger-eating geek. Meanwhile, their dire circumstances help Joe Mantegna’s DJ character rediscover his rock ’n’ roll soul, and prompts an exploitative A&R guy (Judd Nelson) to come calling, leading to various epiphanies about the importance of not selling out… or something. [Sean O’Neal] 7. The Chase (1994) Trapping audiences inside a car with Charlie Sheen back when that still sounded like rollicking good fun, 1994’s The Chase offers a more screwball spin on Steven Spielberg’s The Sugarland Express, with a dash of Gen-X media criticism thrown in. After Sheen’s wrongfully accused bank robber takes Kristy Swanson’s spoiled debutante hostage, he commandeers her car and leads a phalanx of police, news copters, and assorted rubberneckers down a long interstate trip to Mexico, all while Sheen and Swanson bicker and bond. As in the other kidnapping comedies of its day, Swanson’s predicament provides an opportunity for self-actualization; she slowly learns to stand up to her domineering billionaire dad and take control of her own life along the way to falling in love with Sheen, that role model of personal responsibility. The Chase gets most of its laughs out of assorted slapstick pile-ups, but it’s also a chance for writer-director Adam Rifkin to satirize Cops-like reality shows and other tabloid news vultures. After all, is it not our own addiction to sensationalism that we are all “chasing,” with a reckless Charlie Sheen at the wheel? [Sean O’Neal] 8. Hostage For A Day (1994) Remember the last time we were worried about the Russians? If you do, it’s probably not from the obscure 1994 made-for-TV movie Hostage For A Day—and for the sake of John Candy’s legacy, that may be for the best. In Candy’s sole outing as a director, George Wendt plays Warren Kooey, a stereotypically henpecked husband whose wife, Elizabeth (Robin Duke), has just blown through their life savings, prompting him to fake his own kidnapping at the hands of Russian terrorists. Warren’s half-baked plan is to abscond to Alaska with his own ransom money and track down an old girlfriend, but it gets even more complicated when actual Russians—one of them played by Candy himself—show up to take him hostage for real. Hostage For A Day was released just a month after Candy’s death, which adds an unexpectedly melancholy layer to this otherwise-standard zany kidnapping farce (though at least he didn’t have to read the reviews). [Katie Rife] 9. A Life Less Ordinary (1997) Danny Boyle followed up the smash success of Trainspotting with 1997’s A Life Less Ordinary, a rom-com caper that was seemingly convinced it could do anything: musical interludes, claymation, Tarantino-style violence, propulsive late-’90s electronica interludes, and so on. Boyle’s frequent muse Ewan McGregor plays a down-on-his-luck janitor and aspiring writer who gets dumped, then has his job replaced by a robot. Cameron Diaz—here in her post-Mask, pre-Something About Mary heyday—co-stars as the spoiled, possibly sociopathic daughter of McGregor’s former boss. What happens next is a tale as old as time, as McGregor decides to kidnap Diaz, only for her to escape, then return so that the two of them can pretend to hold her hostage. At one point, the budding couple even write a letter in her blood, demanding more money. Oh, and there’s also a supernatural framework, in which a pair of angels act as God’s cops, tasked with making sure certain people fall in love. There’s a lot going on here, in other words, but at heart it’s just your simple, everyday, boy-kidnaps-girl romance. [Clayton Purdom] 10. Excess Baggage (1997) Poor little rich girl Emily Hope: All she wants is her father’s attention. When actual arson doesn’t work, the self-centered debutante—played by Alicia Silverstone, in the first film released by her own production company, and the second abduction-based romantic comedy of 1997—escalates to fake kidnapping, handcuffing and stashing herself in the trunk of her own BMW. Unfortunately, her scam becomes all too real when car thief Vincent (Benicio Del Toro) unintentionally nabs her as well, saddling him with a hostage he doesn’t want and who also won’t leave. Vincent is the rare principled car thief with a strict code of honor, which is supposed to make their budding romance more palatable. Meanwhile, it’s made clear that he’s really her hostage, forced into going along with her criminal schemes because that’s just the kind of guy he is. Director Marco Brambilla isn’t able to wring much screwball comedy out of this boilerplate premise, even with Christopher Walken showing up as Silverstone’s uncle. But the box-office failure of Excess Baggage could also be attributed to the fact that ’90s audiences were pretty surfeited on comedies about spoiled socialites falling for their captors by that point. [Danette Chavez] 11. Serious Moonlight (2009) Actress Adrienne Shelly wrote the screenplay for Serious Moonlight, and after she was murdered in 2006, Shelly’s Waitress costar Cheryl Hines picked up the baton and made it her feature directing debut. It’s difficult to say whether Hines’ version reflected Shelly’s intentions; maybe, in Shelly’s hands, it would have been slightly more nuanced. But the Serious Moonlight that exists is a bitter, shrilly zany farce, starring Meg Ryan as a woman who refuses to accept that her husband (Timothy Hutton) is leaving her for another woman, so she knocks him unconscious, duct tapes him to a toilet, then refuses to let him go until he falls back in love with her—explicitly saying she’s relying on Stockholm syndrome to make him come back around. It’s a surefire strategy for rekindling the flames of your romance, then suffocating on the smoke and ash. And it’s a scenario that the film plays for laughs that are mostly just uncomfortable, even beyond the whole “abduction” thing. [Sean O’Neal] 12. Ruthless People (1986) What turns a hostage situation into a collaboration? A common enemy. In the Zucker, Abrahams, and Zucker comedy Ruthless People, that enemy is Danny DeVito, who plays a debased businessman and cheating husband who’s plotting to kill his long-suffering wife (Bette Midler) and take her inheritance. So he’s thrilled when a suburban couple he swindled (Judge Reinhold and Helen Slater, peak ’80s) seemingly take care of it for him, kidnapping his wife and threatening to kill her if he doesn’t pay up. Over time, hostage and unusually gracious hostage-takers bond, realizing they’re more powerful as allies. They soon team up to bilk DeVito out of everything he’s worth, and deliver the comeuppance he so richly deserves. [Kyle Ryan] 13. House Arrest (1996) When it comes to antisocial behavior from kids with negligent parents, the 1996 comedy House Arrest falls somewhere between the well-meaning pranks of The Parent Trap and the homicidal intent of Home Alone. Jamie Lee Curtis and Kevin Pollak star as self-absorbed baby boomers whose separation spurs their kids Grover (Kyle Howard) and Stacy (Amy Sakasitz) to lure them into the family basement, then nail the door shut and refuse to release them until they work it out. Grover and Stacy then invite all the neighborhood kids to lock their own troublesome parents in the basement as well, trapping the imprisoned adults in a never-ending group therapy session while the kids run wild upstairs. In the end, everyone works out their issues and embarks on second honeymoons and the like. Meanwhile, every kid watching from their own broken home learns that all they needed to do to keep Mom and Dad together was commit a little felony. [Katie Rife] 14. Celtic Pride (1996) The year 1996 saw the release of not one, but two major motion pictures in which professional athletes are harassed and abused by deranged fans, their tones distinguished by their respective talent. In The Fan, Robert De Niro stalks a baseball slugger played by Wesley Snipes—that’s the serious one. Meanwhile, Celtic Pride casts Damon Wayans as Utah Jazz star Lewis Scott, who’s kidnapped by Boston Celtics fans Jimmy Flaherty (Dan Aykroyd) and Mike O’Hara (Daniel Stern) before Game 7 of the NBA Finals. Celtic Pride is also marked as a comedy by the names on its script—a mid-Larry Sanders Show Judd Apatow and then-Saturday Night Live cast member Colin Quinn—who pose thematic questions about what athletes truly owe the people who root for them, while also gingerly skirting the dicey prospect of two white Massholes abducting a wealthy black man. (To its credit, the film lampshades that subtext early on: “Is this racism? A backlash from the O.J. Simpson verdict?” Wayans asks.) Amid all the comedic gunplay, duct-taped wrists, and matching of wits that ensues, Lewis finally persuades Jimmy and Mike to re-prioritize their lives, while Jimmy and Mike convince Lewis to pass the ball every now and then, just in time for the big game. The coda then shows Jimmy and Mike breaking in to kidnap Deion Sanders, those incorrigible scamps. [Erik Adams] 15. Treehouse Hostage (1999) In one of his final on-screen roles, Jim Varney reprised his Ernest character in slapstick spirit—if not in name—for this rather dismal Disney Channel movie, which finds him playing a counterfeiter named Carl who’s on the lam after a prison break. After Carl holes up in the backyard treehouse of Timmy (Joey Zimmerman), the preteen troublemaker and his friends, all with horrible bowl haircuts, decide to hold him hostage so he can be the surprise guest for their “current events” project. Naturally, holding a grown man against his will proves to be more complicated than they ever expected. Painful hijinks ensue, which are complicated even further when it turns out their school principal is also involved in Carl’s racket. In the end, Carl’s name is cleared, the real bad guys are put in jail, Timmy becomes a school hero, and everyone just kind of overlooks the various levels of criminal endangerment involved—much like we’ll just overlook this one in Varney’s filmography. [Gwen Ihnat] 16. Malibu’s Most Wanted (2003) In the surefire comic mishmash of abduction and minstrel-show-level racial caricatures, Malibu’s Most Wanted stars Jamie Kennedy as “B-Rad,” the son of a California gubernatorial candidate (Ryan O’Neal) who’s locked in a tight race, which isn’t helped by B-Rad’s psychiatrist-diagnosed case of severe “gangstaphrenia.” Fed up, his father’s campaign manager hires two black actors to pose as hardcore thugs and kidnap B-Rad, taking him on a tour of a “true” gangsta’s lifestyle—robbing a convenience store, participating in a rap battle, uh, seeing a horror movie—in order to scare B-Rad into embracing his whiteness. But after their whole crew is taken hostage by a real gangster, leading to an ever-escalating war of gunfire and posturing, the film ends with everyone finally embracing B-Rad for the regressive stereotype that he is. Meanwhile, Malibu’s Most Wanted simultaneously holds its audience hostage, forcing them to sit through Kennedy’s endless mining of “hip-hop” catchphrases like “Don’t be hatin’!” [Alex McLevy] It counts as priceless irony that Alan Partridge, the vain alter ego of comedian Steve Coogan, will never know how successful he is. Introduced on the 1991 BBC news-radio spoof On The Hour, the clueless media personality has spent nearly every project he’s headlined yearning for a better career, tragically unaware that the man playing him has meanwhile built a small multimedia empire of TV series, DVD specials, fundraisers, and fake autobiographies around the character. In 2013, Partridge finally made his fledgling leap to the big screen with Alan Partridge: Alpha Papa (released in the States as just Alan Partridge), which inserts him into a tense standoff at the small Norwich radio station where he works. Like most hostage comedies, this dry British cousin to the aforementioned Airheads hinges on a dark gag: that the cravenly fame-obsessed Partridge sees the responsibility of negotiating with the gunman, an aggrieved former colleague played by Colm Meaney, primarily as an opportunity to finally claim the spotlight. As always, the joke is on Alan, in more ways than one, but being “the face of the siege” does allow him to be the hero he’s always wanted to be. (Now imagine how excited he’d be to see his face on a movie poster.) [A.A. Dowd]
Thursday, April 12, 2018
I Wanna Watch Top 10 Best Movies To Watch After A Breakup By NEWSEDITOR March 30, 2018 From action to romance and horror, we have provided the best of its genre on the previous lists. But apart from happiness and time pass the movies are one of the best ways to get back to your routine life after the break-up. These movies will definitely give you inspiration about your up-coming life and make you realize that you are dealing with a better situation rather than stuck to the era of grief and sadness for the broken relationships.
Here, we’ve rounded up our all-time favorite movies to help you through a breakup — no matter what kind of mood you’re in. ...
Wednesday, April 11, 2018
Glenn Close, Meryl Streep, Goldie Hawn, and Bette Midler
Monday, March 26, 2018
Reader’s Digest Greatest films about female solidarity March 19, 2018 From Steel Magnolias to Frances Ha, these are our favourite films about female solidarity. If there’s one thing that life can guarantee, it’s unpredictability. When life doesn’t appear to be going according to plan and nothing seems to be going as it should, one of the few things you can be certain of is that your fellow women are going to be there with you no matter what. This rings true for Aurore (Agnès Jaoui), in I Got Life! – a timely and uplifting film celebrating womanhood which arrives in UK cinemas on March 23rd. Fifty, flirty and not so thriving, Aurore’s world is turned upside down when a past flame returns. From divorce, career changes, and unexpectedly becoming a grandmother, Aurore faces it all with the strong and supportive women in her life by her side, every step of the way. Female solidarity is something we believe should be wholeheartedly celebrated and here’s a list of films that embrace just that.
A League of Their OwnThis 1992 sports comedy-drama about a women’s baseball team often crops up in conversations about great female driven storylines, and it’s not hard to see why. A League Of Their Ownfollows the two Hinson sisters, Dottie (Geena Davis) a beautiful and talented catcher and her younger sister, Kit (Lori Petty), a fiery pitcher who’s tired of living in her sister’s shadow. When presented with the opportunity to get her and her sister out of their humdrum town to play baseball professionally, Dottie puts her personal wishes aside to facilitate her sister’s dream of baseball and escape. A League Of Their Own is an uplifting and heartwarming tale that explores the trials and tribulations of female companionship and what it means to be a teammate and a sister. What’s more, not only is the film an amazing portrayal of female camaraderie and friendship, the project was helmed by female director, Penny Marshall, and is inspired by the real life All-American Girls Professional Baseball League. It’s an all-round yes from us. A League Of Their Own knocks it out the park.
Steel MagnoliasThis 1989 drama hit starring Dolly Parton, Julia Roberts and Sally Field has been breaking hearts everywhere for the best part of the last 30 years. Steel Magnolias follows a closely-knit group of women living in a small Southern community in Louisiana who work and socialise together at a local beauty salon. When one of their own, Shelby (Julia Roberts) is plagued by a series of health problems and proceeding complications, the group are faced with the shattering reality that the course of their lives may well have been changed forever, and they’ll need the love and support of one another to make it through. Devastating plot aside, what makes Steel Magnolias such a beautifully poignant depiction of female friendship is the way in which it illustrates how women are able to derive strength from one another and help support each other during the most difficult of times. Steel Magnolias begs the question of how any woman could go through anything similar without a network of fantastic companions around them.
Death Becomes Her
Some people will go to extreme lengths to stay young and beautiful, but not everyone has access to a magic potion that’ll do just that. Luckily for Madeline Ashton (Meryl Streep) and Helen Sharp (Goldie Hawn) though, they have just the trick. After both taking the mysterious liquid concoction designed to give the drinker eternal life and beauty, the former enemies are forced to look out for one another after realising that they are each other’s only hope of companionship if they are to live forever. Although the film is a more quirky and unusual representation of female solidarity than we’re used to seeing on screen, it’s hard not to root for Madeline and Helen and their devious scheming together. Death Becomes Her ...