Bette Midler Fan Mail
- ▼ 2018 (1030)
- ► 2017 (2182)
- ► 2016 (2706)
- ► 2015 (1553)
- ► 2014 (751)
- ► 2013 (1114)
- ► 2012 (1865)
- ► 2011 (1466)
- ► 2010 (1636)
- ► 2009 (981)
- ► 2008 (777)
- ► 2007 (361)
- ► 2006 (274)
- ► 2005 (450)
- ► 2004 (990)
- ► 2003 (762)
- ► 2002 (213)
Monthly Archives: January 2017
Tuesday, January 31, 2017
[fbvideo link=”https://www.facebook.com/bootlegbetty/videos/879041815519552/?hc_ref=PAGES_TIMELINE” width=”480″ height=”400″ onlyvideo=”1″]
December 18, 1999
Watch out Silicon Valley Bette Midler is here. With playful remarks of the very rich software tycoons buying up the front rows seats and making more money than all her movies had made . Bette Midler has the mouth that roars. And she’s always ready to devour anything and anybody in her path . A Bette Midler concert is like a night at a roadhouse sipping martinis while the roof is on fire. It’s hot, bawdy and you stumble toward the parking lot tipsy from the head rush. There’s nothing understated about the Divine Miss M, and we wouldn’t have it any other way. It helps when you have 12,000 enthusiastic fans pulling for you, as was the case at the San Jose Arena Saturday night, where Midler and a cast of seemingly thousands decamped on her Divine Miss Millennium Tour. The Divine Miss Millennium Tour will wind up on New Year’s Eve in Las Vegas. It should be illegal to have so much fun while working – the smile never left Midler’s face .
Rising from an Earth-shaped orb behind a star-studded diorama, Midler opened the nearly three-hour show with From A Distance, quickly reassuring the crowd there would be plenty of familiar material mixed in with her patented camp. Not that they needed reassuring; she could have sung jingles all night, and this crowd wouldn’t have budged. Midler brought a small village with her, including seven musicians, seven dancers and her three backup singers, the Harlettes. Midler also did a woozy turn in a dive-of-the-mind, The Pits, and a big, risque number celebrating bosoms and brassieres with every mammary euphemism known to humanity. Some of this double entendre-laced material, shall we say, sagged a bit. But Midler radiated so much charisma and had such fun glorying in and mocking her taste for tac (“We may be high-tech, but we’re still low-down”) it didn’t matter. She also could magically shift moods in a blink, from arch raunchiness (lots of jests at Bob Dole and Viagra) to glowing sincerity. The songs came fast and furiously — Do You Want to Dance, I’m Beautiful, You Make me Feel (Mighty Real), Boogie Woogie Bugle Boy — punctuated by Midler’s bawdy banter. One of the few lines we can print: “Unlike the San Jose Sharks, I still know how to score.” And score she did, delivering a piñata of a package with the best bits from a 30-year career. There was Sophie, the wise-cracking gossip; the snappy chanteuse from the Manhattan baths; and, of course, mermaid Delores Delago, who opened the second half with a campaign for president that included a love song to Ken Starfish. There was even a bit of serious lecturing, as Midler warned the crowd not to let San Jose become another Los Angeles with its rampant growth. In between the songs, she performed a mile-a-minute comedy revue, telling risqué jokes, tossing off more four-letter words than one hears at a Korn concert. And taking potshots at celebrities, including Cher, former presidential candidate and current Viagra spokesman Bob Dole (“Sometimes, once is plenty”) and Ricky Martin, many of whom joined her, in caricature form at least, for a rousing “We Are the World And there was music — some in snippets, some in a roof-raising roar. The Rose, Otto Titzling, In the latter vein, Midler sang Leonard Cohen‘s “I Think It’s Going to Rain Today” with keen feeling, and shaped a tender version of the sentimental “Sunrise, Sunset” from “Fiddler on the Roof.” (Midler was in the original Broadway cast.) even a blissfully bizarre tune called Marijuana, during which Midler feigned hallucinations as she danced with two “Doobie Brothers.” They, like most of the production values here, were more suited to Broadway than your typical concert: trapdoors, descending banners, a myriad of costume changes. The fiftysomething Midler also commented and joked, on occasion, about the challenges of being middle-aged in a youth-oriented culture. Strip away the glitter, though, and you’re left with one simple fact. Despite the strains of the altitude, (which she mentioned often,) Midler’s voice sounds stronger and clearer than ever.
Bette Midler On Her Father: “My father never went to see my performances. I think he saw The Rose on television, and he saw me on the Johnny Carson Show., but he just wasn’t interested. He didn’t like popular culture. He thought it was garbage. If I had been an opera singer that he would have understood, or a professional person.” (Syracuse Herald, February 5, 1989)
[fbvideo link=”https://www.facebook.com/bootlegbetty/videos/859783920778675/?hc_ref=PAGES_TIMELINE” width=”480″ height=”400″ onlyvideo=”1″]
Madison Wisconsin State
December 7, 1973
NEW YORK – Bette Midler will haul down about $300,000 for three weeks of doing her â€œ trash with flashâ€ act at the Palace Theater
Ias Vegas salaries have come to New York. Thatâ€™s $100,000 a week. Six shows a week, $10.HOT a show. .Jimmy Nederlander, the personable proprietor of the Palace, said as we watched the unbelievable opening night lobby scene, â€œ Bette Midler is the biggest grosser in the history of the Palace.â€
Gripping, singular, and gorgeously reflective, Grace Notes is a memoir told in essays by beloved actress, Hollywood veteran, and singer/songwriter Katey Sagal—perfect for fans of Mary Louise Parker’s Dear Mr. You and Patti Smith’s M Train.
Popular and award-winning star Katey Sagal chronicles the rollercoaster ride of her life in this series of evocative and beautifully written vignettes, resulting in a life story recounted unlike any other Hollywood memoir you’ve read before.
Sagal takes you through the highs and lows of her life, from the tragic deaths of her parents to her long years in the Los Angeles rock scene, from being diagnosed with cancer at the age of twenty-eight to getting her big break on the fledgling FOX network as the wise-cracking Peggy Bundy on the beloved sitcom Married…with Children.
[fbvideo link=”https://www.facebook.com/bootlegbetty/videos/1040053722751693/?hc_ref=PAGES_TIMELINE” width=”480″ height=”400″ onlyvideo=”1″]
[fbvideo link=”https://www.facebook.com/bootlegbetty/videos/892528437504223/?hc_ref=PAGES_TIMELINE” width=”480″ height=”400″ onlyvideo=”1″]
Monday, January 30, 2017
[fbvideo link=”https://www.facebook.com/bootlegbetty/videos/813436942080040/?hc_ref=PAGES_TIMELINE” width=”480″ height=”400″ onlyvideo=”1″]
Bette Midler On The Quest For Fame:”You know, it’s not until you get older that you realize how incredibly juvenile that quest for fame is. You say to yourself,â” What was I thinking about”? Fame is not what’s important. Wha’s important about work is skill and experience, the ability to create and make something beautiful.”(Syracuse Herald, February 5, 1989)