Black-and-white photo of a female singer in a feathered costume performing on stage, with the poster text “I’ll Never Forget It You Know…” (BootlegBetty.com).

Epic 47th Anniversary Celebration of Bette Midler’s Thighs and Whispers



Close-up of a woman's face with dark eye makeup and bright red lipstick, gold glitter hair on the right side of the image.

Midler’s fifth studio album, released October 1979, produced by Arif Mardin, leans heavily into disco and late?70s club aesthetics.

Additionally, it carries a mood described as Thighs and Whispers.

It reached #65 on the Billboard Pop Albums chart.

It stayed on the Billboard 200 for 17 weeks, peaking on October 27, 1979.

The album’s title is a campy riff on Ingmar Bergman’s Cries and Whispers, Thighs and Whispers.

? Singles & Chart Highlights

  • “Married Men”
    • Reached Top 40 on the U.S. Club Play Singles chart.
    • Also a UK Top 40 hit for Bonnie Tyler the same year.
  • “My Knight in Black Leather”
    • Peaked at #70 on the U.S. dance charts.
  • Other singles: “Hang On in There Baby,” “Big Noise from Winnetka” (later a staple opener in Midler’s tours).

? Awards & Accolades

There are no major awards associated with Thighs and Whispers — no Grammys, no American Music Awards, no industry trophies. Its accolades are historical and multicultural rather than institutional.

However, its producer Arif Mardin was a 12?time Grammy winner whose involvement is often cited as a mark of prestige.

Critical Reception (Contemporary & Retrospective)

  • Mixed reviews on release.
    • Robert Christgau: C+ — “the songs are pretty good… but they aren’t that good.”
    • Rolling Stone (Stephen Holden): Argued Midler’s stage charisma couldn’t be fully captured in a studio album.
    • The Globe and Mail: Felt Midler was still defining her musical identity.
  • Retrospective reassessment:
    • The album is now seen as a cult disco artifact, with tracks like “My Knight in Black Leather” and “Married Men” celebrated for their camp excess.
    • Midler herself later called her late?70s disco era “abysmal” — but fans and critics have since reclaimed it as part of her camp legacy.

Key Trivia & Archival Notes (Thighs and Whispers)

  • Title pun: A playful twist on Bergman’s Cries and Whispers.
  • Broadway connection: “Millworker” comes from the short?lived musical Working.
  • Tour legacy: “Big Noise from Winnetka” became a signature opener in Midler’s concerts for decades.
  • Extended mixes: Several singles were released as 12?inch disco mixes at the height of the era.
  • Remasters: CD release in 1990; remastered reissue in 1995.

Why Thighs and Whispers Matters Today

Nevertheless, even without awards, Thighs and Whispers is a crucial chapter in Midler’s evolution.

It is a disco experiment.

  • captures her willingness to play with genre,
  • showcases early seeds of the camp sensibility that later defined her,
  • bridges her comedic nightclub persona with her emerging dramatic power (The Rose followed immediately after).

Moreover, it’s a glittery, strange, theatrical time capsule.

Bootleg Betty fans know it is ripe for panels, timelines, and camp?forward celebration, Thighs and Whispers.

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