On This Day In History: Bette Midler Wins 1981 Grammy For Best Pop Female Performance For “The Rose”


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On This Day In History: Bette Midler Wins 1981 Grammy For Best Pop Female Performance For “The Rose”
By Mister D
Feb. 25, 2024



FROM COLOURING WITH THE PAST

On this day in 1981, the curtain rose on BETTE MIDLER when she took home the Grammy for Best Pop Vocal Performance, Female for her standout title song from the 1979 film THE ROSE (Feb 25, 1981)

Having already captivated the world through her Divine Miss M persona on stage and screen, Midler’s Grammy win cemented her as a powerhouse vocalist in addition to a consummate entertainer. “The Rose,” penned by Amanda McBroom, allowed her to bare the full force of emotion lurking beneath her diva exterior.

THE ROSE was written by Los Angeles singer/songwriter Amanda McBroom. Midler recorded it for the 1980 movie of the same name, which she starred in.

McBroom explained: “A song came on the radio. It was ‘Magdalena’ by Danny OKeefe, sung by Leo Sayer. I liked it immediately. My favorite line was, ‘You’re love is like a razor. My heart is just a scar.’ I thought, ‘Ooh, I love that lyric, but don’t agree with the sentiment that love is a razor.'”

“As I continued to drive down the road the thought came, ‘What, then, do I think love is.’ Suddenly, it was as if someone had opened a window in the top of my head. Words came pouring in. I had to keep reciting them to myself as I drove faster and faster towards home, so I wouldn’t forget them. I screeched into my driveway, ran into the house, past various bewildered dogs and cats and husbands, and sat down at the piano. Ten minutes later, ‘The Rose’ was there.”

“A year or so later, a professional songwriter friend of mine said, ‘Listen, there is this movie coming out called The Rose, based on the life of Janis Joplin. They are looking for a title tune. Do you want me to submit this to them? I had never really tried to submit a song to anyone. I didn’t consider myself a songwriter at the time. So I said, ‘Sure.'”

“The producers hated it. They thought it was dull and not rock and roll and totally wrong. They put it in the reject box. But Paul Rothchild, who had been Janis Joplin’s producer, and now the music supervisor on the film, hauled it out and asked them to reconsider. They again said no. So he mailed it to Bette Midler, the star of the movie. She liked it, lobbied in favor of it; and that’s how it got into the film and changed my life forever.”

This won a Grammy award for Best Pop Vocal Performance, Female. It was Midler’s second Grammy – seven years earlier she won for Best New Artist.

To tie in with this song, Bette Midler appeared on the cover of Rolling Stone (issue dated December 13, 1979) lying on a literal bed of roses. The photo was taken by Annie Leibovitz; an assistant had to cut off all the thorns.

The song appeared on the television show Family Guy in the episode “Baby Not on Board.” The song is sung by the Griffin Family, as Peter, the father, tries to suggest a good driving song.

This song appeared in a very humorous scene in the movie Napoleon Dynamite, a 2004 cult classic, as the lead character performs the song in sign-language.

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